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Brian Eno Quotes


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Brian Eno
May 15, 1948 -
Nationality: British
Category: Musician
Subcategory: British Musician

My guitar only has five strings 'cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.

   

I wanted to get rid of the element that had been considered essential in pop music: the voice.

   

I have a definite talent for convincing people to try something new. I am a good salesman. When I'm on form, I can sell anything.

   

At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.

   

In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.

   

Most of those melodies are me trying to find out what notes fit, and then hitting ones that don't fit in a very interesting way.

   

One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn't if you knew better.

   

I think generally playing live is a crap idea. So much of stage work is the presentation of personality, and I've never been interested in that.

   

I always use the same guitar; I got this guitar years and years ago for nine pounds. It's still got the same strings on it.

   

Agressive music can only shock you once. Afterwards its impact declines. It's inevitable.

   

I'm not interested in possible complexities. I regard song structure as a graph paper.

   

If you're in a forest, the quality of the echo is very strange because echoes back off so many surfaces of all those trees that you get this strange, itchy ricochet effect.

   

I've discovered this new electronic technique that creates new speech out of stuff that's already there.

   

Every collaboration helps you grow. With Bowie, it's different every time. I know how to create settings, unusual aural environments. That inspires him. He's very quick.

   

We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.

   

I'm very good with technology, I always have been, and with machines in general. They seem not threatening like other people find them, but a source of fun and amusement.

   

Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.

   

When I started making my own records, I had this idea of drowning out the singer and putting the rest in the foreground. It was the background that interested me.

   

I often work by avoidance.

   

I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.

   

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