 As the artist picks his way along, rejecting and accepting as he goes, certain patterns of enquiry emerge. |
| Painters have always needed a sort of veil upon which they can focus their attention. It's as though the more fully the consciousness is absorbed, the greater the freedom of the spirit behind. |
| There was a time when meanings were focused and reality could be fixed; when that sort of belief disappeared, things became uncertain and open to interpretation. |
| An artist's early work is inevitably made up of a mixture of tendencies and interests, some of which are compatible and some of which are in conflict. |
| I think this lack of a center has something to do with the loss of certainties that Christianity had to offer. |
| Focusing isn't just an optical activity, it is also a mental one. |
| I work with nature, although in completely new terms. |
| As a painter today you have to work without that essential platform. But if one does not deceive oneself and accepts this lack of certainty, other things may come into play. |
| His failures are as valuable as his successes: by misjudging one thing he conforms something else, even if at the time he does not know what that something else is. |
| Painting is, I think, inevitably an archaic activity and one that depends on spiritual values. |
| I used to build up to sensation, accumulating tension until it released a perceptual experience. |
| In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. |
| For me nature is not landscape, but the dynamism of visual forces. |
