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Francis Ford Coppola Quotes


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Francis Ford Coppola
April 7, 1939 -
Nationality: American
Category: Director
Subcategory: American Director

Frank Capra was a prop man, I think. John Ford was a prop man. It was a little bit of a father and son thing, and you kind of worked your way up.

   

The professional world was much more unpleasant than I thought. I was always wishing I could get back that enthusiasm I had when I was doing shows at college.

   

They needed someone to write a script of The Great Gatsby very quickly for the movie they were making. I took this job so I'd be sure to have some dough to support my family.

   

When I was going for my graduate degree, I decided I was going to make a feature film as my thesis. That's what I was famous for-that I had my thesis film be a feature film, which was You're a Big Boy Now.

   

I was the kind of kid that had some talents or ability, but it never came out in school.

   

I don't think there's any artist of any value who doesn't doubt what they're doing.

   

Anything you build on a large scale or with intense passion invites chaos.

   

It's ironic that at age 32, at probably the greatest moment of my career, with The Godfather having such an enormous success, I wasn't even aware of it, because I was somewhere else under the deadline again.

   

The essence of cinema is editing. It's the combination of what can be extraordinary images of people during emotional moments, or images in a general sense, put together in a kind of alchemy.

   

Most Italians who came to this country are very patriotic. There was this exciting possibility that if you worked real hard, and you loved something, you could become successful.

   

I always found the film world unpleasant. It's all about the schedule, and never really flew for me.

   

Listen, if there's one sure-fire rule that I have learned in this business, it's that I don't know anything about human nature.

   

Usually, the stuff that's your best idea or work is going to be attacked the most.

   

I remember teachers who really singled me out for their discouragement.

   

I wrote the script of Patton. I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I was fired. When the script was done, they hired another writer and that script was forgotten.

   

You ought to love what you're doing because, especially in a movie, over time you really will start to hate it.

   

Ten Days That Shook The World, by Eisenstein, I went to see it, and I was so impressed with this film, so impressed with what cinema could do.

   

I had a number of very strong personalities in my family. My father was a concert flutist, the solo flute for Toscanini.

   

I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying; he wanted me to make up dialogue.

   

I became quite successful very young, and it was mainly because I was so enthusiastic and I just worked so hard at it.

   

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