 As soon as you start writing about how human beings interact with each other socially, you're into politics, aren't you? |
| I'm one of those unlucky people who had a happy childhood. |
| I have two ideas for novels at the moment, neither of them all that conventional, but I'm not ready to choose between them yet, let alone settle down to the process of writing. |
| I think it's also the case that I'm not as widely travelled, or as well-educated in history, as most of the other novelists I meet: so I have to write about my own country, at the present time, because it's more or less all I know about! |
| Luckily, in my case, I have managed, by writing, to do the one thing that I always wanted to do. |
| Ah, well, I have no talent for nonfiction, that's my problem. |
| The biggest markets for my books outside the UK are France and Italy, and those are the two countries where I also have the closest personal relationships with my translators - I don't know whether that's a coincidence, or if there's something to be learned from it. |
| Thatcherism has become bigger than she ever was. |
| But we are entitled to look for continuity in politics. |
| They were written in the early '90s when I was strapped for cash. |
| It's only a drawback in the States, where most people seem to have no real interest in other countries and the notion of a novel which might offer insight into life in the UK doesn't seem to appeal very widely. |
| As the books grew bigger and more ambitious, the situations in question sometimes became political ones, and so it became necessary to start painting in the social background on a scale which eventually became panoramic. |
| The more melancholy side of my literary personality is much in tune with BS Johnson's. |
| Contemporary Britain seems an endlessly fascinating place to me - but if I knew a little bit more about other places, and other times, maybe it wouldn't. |
| As I said, I had no publisher for What a Carve Up! while I was writing it, so all we had to live off was my wife's money and little bits I was picking up for journalism. |
| Writers never feel comfortable having labels attached to them, however accurate they are. |
| But I have always - ever since The Accidental Woman - written novels about individuals attempting to make choices in the context of situations over which they have no control. |
| You would go mad if you began to speculate about the impact your novel might have while you were still writing it. |
| My only regret is that I signed away the world rights and in America they've been far and away my most successful books, but I never saw a cent from any of it. |
| The writer I feel the most affinity with - you said you felt my books are 19th century novels, I think they're 18th century novels - is Fielding, Henry Fielding, he's the guy who does it for me. |
