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Jonathan Lethem Quotes


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Jonathan Lethem
February 19, 1964 -
Nationality: American
Category: Writer
Subcategory: American Writer

Fantastic writing in English is kind of disreputable, but fantastic writing in translation is the summit.

   

I try not to become too regular an addict of any one subculture.

   

I learned to write fiction the way I learned to read fiction - by skipping the parts that bored me.

   

I plan less and less. It's a great benefit of writing lots, that you get good at holding long narratives in your head like a virtual space.

   

I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.

   

Comics? Honestly, that's more a matter of nostalgia for me. I think most of that energy has gone to my love of literature and my love of film.

   

The book is openly a kind of spiritual autobiography, but the trick is that on any other level it's a kind of insane collage of fragments of memory.

   

In my third novel there is an actual black hole that swallows everything you love.

   

I've never related to the work geek at all-it sounds much more horrible than nerd. Like a freak biting a chicken's head off in a sideshow.

   

The more film I watch, the more John Ford looks like a giant. His politics aren't so good, and you have to learn to accept John Wayne as an actor, but he's a poet in black and white.

   

I grew up with an artist father, and my parents' friends were also mainly artists or writers, so he connects what I do with his example.

   

It's now expected of me that I will defy expectation, so I really generally seem to be free to write what I want.

   

I'd excluded New York from my writing, and then I came back and I fell in love with it all over again. The energy comes from an absence, that yearning for New York when you are not there.

   

I can't bear the silent ringing in my skull.

   

When the civil rights battle was won, all the Jews and hippies and artists were middle class white people and all the blacks were still poor. Materially, not much changed.

   

It was good while it was good.

   

I just noticed recently that in one book after another I seem to find an excuse to find some character who, to put it idiotically simply, is allowed to talk crazy.

   

Discomfort is very much part of my master plan.

   

My fiction has been influenced by the visual arts, though not in obvious ways, it seems to me. I don't offer tremendous amounts of visual information in my work.

   

What's lucky about my career in general is that I stumbled into what every writer most wants. Not repeating myself and doing strange things has become my trademark.

   

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