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Margaret Mahy Quotes


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Margaret Mahy
March 21, 1936 -
Nationality: New Zealander
Category: Author
Subcategory: New Zealander Author

At this stage I am not involved with young adults as closely as many other writers. My children are grown up and my grandchildren are still quite young.

   

I was able to work out all sorts of attitudes to style and event and character, all of which affected the way I came to think about my own writing. I believe that all good writers are original.

   

I hope I am not too repetitive. However, coming to terms with death is part of the general human situation.

   

I think I am too interested in my own ideas to copy anyone else's, but I find that other people's imagery, the flow of language in the outside world, games with words, and ideas about relationships are all most important to me.

   

In a way, the characters often do take over.

   

Anyone interested in the world generally can't help being interested in young adult culture - in the music, the bands, the books, the fashions, and the way in which the young adult community develops its own language.

   

When you are reading, someone has done a lot of work on your behalf, someone has had ideas and has then written and corrected and improved them so that they can be shared.

   

My theory is that I decided to be a writer when I was about seven, but of course it is not as simple as that. Like most writers, I had to work at other things to earn a living and wrote mainly in the evenings, often very late at night, for many years.

   

It is a good idea to know which publishers publish which stories. For example, there is no sense in sending a picture book text to a publisher who does not publish picture books.

   

When you are writing, of course, you have to do all that writing and correcting for yourself. When I was a librarian it was expected that I would know about a wide range of books.

   

Every writer has to find their own way into writing.

   

The novels take longer to write than the picture book texts, and they do take a different sort of concentration. However, a very short, simple story that works well is just as exciting to me as any longer and more complex book.

   

I've never actually been a fighter myself - fighting tires me out and I'm not an efficient fighter anyway - but I have certainly seen other people have great complicated goes at one another.

   

Being a librarian certainly helped me with my writing because it made me even more of a reader, and I was always an enthusiastic reader. Writing and reading seem to me to be different aspects of a single imaginative act.

   

New Zealand is the only country I know well enough to write about. It can sometimes lead to complications.

   

I don't think I prefer writing for one age group above another. I am just as pleased with a story which I feel works well for very small children as I do with a story for young adults.

   

At the same time, I think books create a sort of network in the reader's mind, with one book reinforcing another. Some books form relationships. Other books stand in opposition. No two writers or readers have the same pattern of interaction.

   

There are certainly times when my own everyday life seems to retreat so the life of the story can take me over. That is why a writer often needs space and time, so that he or she can abandon ordinary life and "live" with the characters.

   

When I was a child I had a best friend who lived across the road from me. When her mother died unexpectedly it was like losing a member of my own family. I think I am still affected by the memory of that loss.

   

Ellis's understanding of himself and the world around him certainly develops because of his adventures, and part of that development comes through recognizing other people for what they are.

   

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