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Michael Bolton Quotes


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Michael Bolton
February 26, 1954 -
Nationality: American
Category: Musician
Subcategory: American Musician

Black music has increased my enjoyment of what I do. It has increased my range, my ability to reach into myself and accept myself.

   

It's an important thing to remember where you came from.

   

You're presuming too much by using the word legacy - presuming that someone is going to care.

   

I was blown away by the control and the range that I was hearing. I'm listening to Pavarotti and thinking, What the hell have I been doing with my voice all these years?

   

It's a combination of melody and lyrics, not one without the other. It's a confluence of these different elements that makes something powerful.

   

One song will launch you, but you don't want to be a one-song artist.

   

A lot of my success comes from black music. It's something I'm very proud of.

   

When I was invited to sing with Pavarotti, I had about two weeks to learn Italian.

   

The bigger you are, the harder they come down on you.

   

Someone told me there was a publisher that could find a good home for my songs, but I didn't want to give up my pursuit of a career in the business as an artist.

   

When you have great songs that are going to live longer than the composers, everything you can do to bring those different elements and nuances out, serve the song.

   

I have friends who've tried to break into the UK, who went back with their tails between their legs. Fortunately I've had the opposite experience.

   

There are certain people who have become better artists, but they're brilliant at marketing. I think someone who's been phenomenal like that is Madonna.

   

No matter how great we get with digital formats of instrumentation, nothing really quite duplicates the real thing.

   

Considering the amount of information we're bombarded by, it's amazing if a song can transcend time.

   

You can't make everybody love what you do, but you can know how great you feel doing it.

   

The Top 40 is geared toward 20 and under, not 20 and up. That's the audience I'm geared to.

   

I kept looking to do songs that were written years ago and would live or outlive all of us, and the one thing they had in common was Sinatra.

   

A lot of the greatest compositions were made famous by Sinatra.

   

To sing along with Stevie Wonder, you had to make your voice do things it was not accustomed to doing.

   

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