Abstraction is everybody's zero but nobody's nought. |
I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation. |
Visiting a museum is a matter of going from void to void. |
From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline. |
History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy. |
Language should be an ever developing procedure and not an isolated occurrence. |
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence. |
Questions about form seem as hopelessly inadequate as questions about content. |
Mistakes and dead-ends often mean more to these artists than any proven problem. |
Language thus becomes monumental because of the mutations of advertising. |
Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control. |
Artists are expected to fit into fraudulent categories. |
Nature is never finished. |
Language operates between literal and metaphorical signification. |
An emotion is suggested and demolished in one glance by certain words. |
The scenic ideals that surround even our national parks are carriers of a nostalgia for heavenly bliss and eternal calmness. |
When a finished work of 20thcentury sculpture is placed in an 18th-century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us. |
Museums are tombs, and it looks like everything is turning into a museum. |
Banal words function as a feeble phenomena that fall into their own mental bogs of meaning. |
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world. |