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Robert Smithson Quotes


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Robert Smithson
January 2, 1938 - July 20, 1973
Nationality: American
Category: Artist
Subcategory: American Artist

Abstraction is everybody's zero but nobody's nought.

   

I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.

   

Visiting a museum is a matter of going from void to void.

   

From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.

   

History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy.

   

Language should be an ever developing procedure and not an isolated occurrence.

   

A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.

   

Questions about form seem as hopelessly inadequate as questions about content.

   

Mistakes and dead-ends often mean more to these artists than any proven problem.

   

Language thus becomes monumental because of the mutations of advertising.

   

Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control.

   

Artists are expected to fit into fraudulent categories.

   

Nature is never finished.

   

Language operates between literal and metaphorical signification.

   

An emotion is suggested and demolished in one glance by certain words.

   

The scenic ideals that surround even our national parks are carriers of a nostalgia for heavenly bliss and eternal calmness.

   

When a finished work of 20thcentury sculpture is placed in an 18th-century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.

   

Museums are tombs, and it looks like everything is turning into a museum.

   

Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.

   

A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.

   

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