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Sam Mendes Quotes


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Sam Mendes
August 1, 1965 -
Nationality: British
Category: Director
Subcategory: British Director

I still can't quite believe it. Although there was something about the fact that it was a first-time writer, a first-time producer, and a first-time director all at the same time.

   

All I know is that I operate by going out to each of them and trying to learn the territory in which they operate. My language to each of them has to suit their brain.

   

The movies that influenced me were movies that told their stories through pictures more than words.

   

When I drive through a field, I want to see green grass sometimes, and I don't want to see black and white.

   

There's good and bad in everybody. I wasn't looking for the good, or looking for the bad. This is a man who signed his pact with the devil 20 years ago, and he's learned to live with it. He's tried to protect his family from it.

   

I don't think good and evil are polarized.

   

The perceived wisdom is that people do not go in large numbers to black-and-white movies anymore - which is a great shame, but I'd love to make a black-and-white movie one day.

   

You're in the lap of the gods. If people go, they go, and if they don't.

   

Kevin and Annette... I wanted them to do it together. They clearly wanted to work with each other.

   

Thank God I don't live in Los Angeles. I think if you're there the whole time it just gets out of proportion and you lose touch completely with reality.

   

Truly great actors carry their characters in silence with them. They communicate without words the relationships that predate the movie.

   

I want to try and work in different genres with different types of actors, on small movies and big movies.

   

If you lived through the shooting of Jaws, you can live through anything.

   

I like throwing snowballs at small children.

   

I think movies are a director's medium in the end. Theater is the actor's medium. Theater is fast, and enjoyable, and truly rewarding. I believe in great live performance.

   

I deliberately, in a way, went for something that was a huge challenge and was a big period film. I was excited about the canvas on which I could tell the story as much as the story itself.

   

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