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Thom Gunn Quotes


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Thom Gunn
August 29, 1929 - April 25, 2004
Nationality: British
Category: Poet
Subcategory: British Poet

Ginsberg's Collected Poems contains a wonderful poem about making it with Neal Cassady.

   

I was at a benefit for some imprisoned students in the '60s at San Francisco State, and there were lots of poets reading for the benefit: one was Elizabeth Bishop.

   

I notice that students, particularly for gay students, it's too easy to write about my last trick or something. It's not very interesting to the reader.

   

I try not to observe myself in the process of composing a poem because I don't want to come up with a formula, which I would then be unscrupulous in using.

   

I work best in rhyme and meter. I was most confident of myself in that way.

   

As humans we look at things and think about what we've looked at. We treasure it in a kind of private art gallery.

   

When I was an undergraduate I had very badly annotated editions of Shakespeare's sonnets, all of which left out the important fact that will has a sexual sense in Shakespeare's sonnets.

   

My old teacher's definition of poetry is an attempt to understand.

   

Many of my poems are not sexual.

   

While I don't satisfy my curiosity about the way I work, I'm terribly curious about the way other poets work. But I would think that's true about many of us.

   

I don't know how to sit outside myself and test against a hypothetical self who stayed home.

   

We learned in the university to consider Wordsworth and Keats as Romantics. They were only a generation apart, but Wordsworth didn't even read Keats's book when he gave him a copy.

   

I was reading the poems of Rochester. Rochester made himself out to be bisexual, but I think that was only to shock. Most of his poetry is sexual, even pornographic.

   

I admired what my students were writing, but I think their improvement doesn't directly result from me but from being in a class, being with each other.

   

There have been two popular subjects for poetry in the last few decades: the Vietnam War and AIDS, about both of which almost all of us have felt deeply.

   

I had assumed that I would age with all my friends growing old around me, dying off very gradually one by one. And here was a plague that cut them off so early.

   

Deep feeling doesn't make for good poetry. A way with language would be a bit of help.

   

We tend to put poems into factions. And it restricts our reading.

   

When I first started to write, I was aware of being queer, but I didn't write about it. Queer poems would probably not have been accepted by the editors I sent them to.

   

I deliberately wrote a poem in my last book where I was suggesting that there are other passions as great as or more important than the passion of sex.

   

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