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Thomas Perry Quotes


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Thomas Perry
April 28, 1963 -
Nationality: German
Category: Musician
Subcategory: German Musician

But at the same time, the commonplace statement about them is true: every character is the hero of his own story. Each has a justification for his actions that is convincing to him. It's fun to give these people voices.

   

I held a variety of jobs - most notably ten years working in universities - and kept on writing.

   

I don't have dry seasons, because I don't allow them.

   

I had been writing fiction since I was in eighth grade, because I loved it.

   

If you'll think about various series you've read, can you think of any instance in which, say, the tenth volume of the series is notably better than the first nine? I can't.

   

All writers are mimics, and I'm not interested in picking up somebody else's style or voice.

   

Yes, in my books I do edit myself to keep from becoming the Village Explainer.

   

Much of what we do in life has a huge component of luck.

   

It's important, I think, for a writer of fiction to maintain an awareness of the pace and shape of the book as he's writing it. That is, he should be making an object, not chattering.

   

You have very accurately described the difficulty of presenting my books on film: many of my characters are alone most of the time, and when they do talk, what they say is mostly lies. That can make for a pretty confusing film.

   

I do like to explore evil characters in my books.

   

The characters you refer to as predatory and unsavory are useful. They're the ones who make a novel into a thriller. They're active, and most of the common virtues, the signs of a good person, are not.

   

If I don't have a project going, I sit down and begin to write something - a character sketch, a monologue, a description of some sight, or even just a list of ideas.

   

Contrary to what many writers imply about the process, nobody forces a writer to sell his work to the film industry.

   

Once you have invented a character with three dimensions and a voice, you begin to realize that some of the things you'd like him to do to further your plot are things that such a person wouldn't, or couldn't, do.

   

I do want to write about Jane Whitefield again, but only when I have a good enough idea - something I've figured out about her that's news and that's worth a reader's time.

   

Being comfortable isn't the way to learn to expand your abilities.

   

There are days when I intentionally don't write. For instance, I never write when I'm traveling, because travel is a situation where I can learn more by looking and listening than by working.

   

When I write a book, I'm making it the best book I can.

   

I do hope to bring Jane Whitefield back before too long.

   

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