 This current round of gigs, I'm just doing it using pure electronics. |
| The main thing I'm into is going about on a bike, taking random routes; I'm really into the idea of making up journeys, and just seeing where they take you, because they always end up taking you someplace freaky. |
| I couldn't find a group that wanted to do what I wanted to do. No one was really up for it. |
| Sometimes I think that I want to do something strictly basic, really simple. Just with a few chords. But I won't have anything more than two or three sentences in my head. That kind of evaporates once I start playing and then it goes off in whatever direction. |
| I'm into music for all different sorts of purposes. |
| It's important for that to exist in a society that doesn't present you with any genuine problems. |
| There's a couple of tracks on the new record which is sort of using similar sort of rhythms as the drum and bass tracks but playing it all live. It's a new approach to it. |
| I make music to generate atmospheres, not to complement already existing ones. |
| I'd say that it's important for music to be there that gives you a challenge, that rearranges things in your head. |
| I don't know that the best way to approach it is to try and keep up. When you're doing that, you're setting yourself into a one-dimensional sort of race basically. |
| I like my stuff 'cause I only ever end up with tracks that I really, really like. It always appeals to me. |
| Doing something like that, quite radically changing your approach to sound in one go, could leave you high and dry. It's happened before where people have changed direction and then everyone's stopped liking their music. |
